FUSION is an allusion to ecosystems that we must pass through consciousness and admit that everything that belongs to nature must be treated with the utmost seriousness and piety. Man must live this twinning with nature by building biospheres at the level of intention, as if the world projected by a beautiful mind can live indefinitely. FUSION is an ideational projection, an interdisciplinary discourse in favor of an aesthetic communion of two entities from different kingdoms and environments that, by valuing recognizable elements from the two worlds, the natural and the hybridized urban, to exploit the means of artistic expression in the postmodern fashion phenomenon. The suggested attitude of the drama, of a sadness look, amplifies the compassionate need of the human but also of the other living beings, in equal measure.
Sportswear, which includes a symbolism of dynamics, of an exercise extrapolated under various actions, finds similarities in the attitude of insects that propagate through their very existential mode the concept of freedom space, of cognitive pattern that allows them to act in prompt ways, a behavior that situates beyond hesitation.
A vast sample of insects from the world wears a garment made of waterproof materials, elastic fabrics, high-tech fluorescent, nets and accessories specific to the dynamics of sportswear in an interpretation of shapes and volume of zoomorphic anatomy. The close-up vision of the concept increases the undersized details of the insect body. Insects borrow not only a human outfit but also its existential sadness, an allure that, perhaps, is not foreign to them, but which they wear with dignity and easiness.
Perhaps man, in his urban digressions, omits destination as an algorithmic form of destiny. Maybe, in his rational labyrinth, he needs simple decision-making levers, a natural personal on which to build his honeycombs.